A-Lit Digital

A-Lit Digital is an attentive, agile, and trustworthy digital services & marketing agency that offers an extensive range of services to businesses. We are in love with fresh ideas and this also drives our passion to launch our own products that add value to people and society at large.

A-Lit Digital
A-Lit Digital is an attentive, agile Digital Agency empowering businesses through Media, Technology, Digital and Online Solutions.
Includes: Dance Competitions, Dance Workshops, Dance Festival, and awards. The aim of the project is to empower dancers with technical and professional skills, provide a platform for cross-cultural learning and networking and create opportunities for dancers. The Dance Afrique also aims at nurturing talent(s) who will compete in the World Olympics in Paris 2024 in the category of Breakdance. The Dance Afrique Project is aimed at engaging young talented people with productive activities that will help reduce Mental related disorders among the youth such as Depression, Anxiety disorders among others. Dance Afrique aims at using art and dance as a self-creative expression where the artist can freely express what is locked in their minds. Additionally, young people will be engaged in productive activities that will help them shun alcohol and substance abuse. Objectives: â€ĸ Reduce the rate of mental disorders among young people â€ĸ Equip dancers with technical and professional skills to give them a competitive advantage. â€ĸ Creating opportunities for talented Dancers to showcase their talents â€ĸ Recognize accomplishments in the Dance Industry â€ĸ Mentorship to upcoming dancers
Theme: Gender Empowerment Training Logline: ‘Wherever a Man Steps, a Woman can Equally Stand.’ Faith wins a CDF scholarship to train as an ICT technician to get her family out of poverty, but her own drunken dad believes that scholarships don’t come for free in the corrupt state. He accuses his daughter of sexual mischief with a notorious CDF chairman. In the ensuing fracas, Faith and her sickly mum survive stabbing by the drunken man and escape into the night never to return; choosing to wage a Trojan fight for survival and reclaim their dignity and self-esteem which her dad had wantonly had almost destroyed. They accept a dehumanising offer of food and accommodation with no pay to provide manual labour in a dairy farm. Between attending polytechnic training by day and manual labourer by night, Faith encounters heartbreaking experiences of fighting sexual harassment from a rogue lecturer and accusations that she and her mum have turned into thieves when she gets to her temporary abode. When she’s on the verge of presenting her final ICT project, her lecturer rejects it on frivolous grounds because he’s still smarting from the rejection of his sexual advances. She uploads her project online, as she stoically states, ‘to be judged by God and the world’. Faith joins industrial attachment in a suave flourishing ICT firm owned by Kelvin, an enigmatic young billionaire, who all the slay queens in town are dying to date. By the queerest of coincidences, Kelvin shows an interest in her, frustrating her dream of being self-made. She endures debilitating sexual harassment in the office and rejects expensive gifts from him, but he’s relentless. Faith finally moves into Kelvin’s lavish home under very stringent conditions which Kelvin promises to honour. Before long, however, Kelvin unbelievably rapes her on a fateful night and triggers her limping away from the luxurious mansion into the perils of the dark night, with her mum, who had also coincidentally been raped when she was a virgin, by her side. The two women drag their broken spirits back into Mrs Wandaka’s farm which they’d abandoned in sheer bravado. As they embark to climb the stairs towards Mrs Wandaka’s gazebo, Faith’s phone persistently rings and on her answering it, she’s told to report for job placement from a company who had come across her impressive ICT project online and were looking for a person of her calibre. She’s saved from the throes of demeaning humiliation under divine circumstances, in a tear-jerking resolution. The end credits roll on a team of men, with Faith the only female on the telecommunication mast, putting the men in their place as she elbows them towards fixing a glitch that had paralysed the entire city’s telecommunication network.
A-Lit Digital Presents WHY MOTHER YELLED AT ME A Social Skills Training Film for CAPYEI Adopted for the Screen from the Zande Community of Central African Republic Executive producer Ndungu Kahihu Screenplay Edwin Nyutho Soni Gatonye Producer/ Director Edwin Nyutho Technical director Newton Nyutho
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